The Incredibly True Story Of Two Girls In Love


Maria Maggenti

Starring: Laurel Holloman, Nicole Ari Parker, Maggie Moore, Kate Stafford, Sabrina Artel, Toby Poser, Nelson Rodriguez, Dale Dickey

Rated R, 94 minutes

Bar Girls


Marita Giovanni

Lauran Hoffman,
based on her play

Starring: Nancy Allison Wolfe, Liza D'Agostino, Camila Griggs, Michael Harris, Justine Slater, Lisa Parker, Pam Raines, Chastity Bono

Rated R,, 93 minutes

Women Without Men
by Michael D. Klemm
Reprinted from Outcome, August, 1999


Through the years, lesbians have fared as badly as gay men on the silver screen. How many times have we been forced to accept a fashion statement that looks like a cross between a Valkyrie and Victoria's Secret as a lesbian? And let's not even talk about Basic Instinct. Here are two films that are worth checking out from lesbian writers and directors who got it right.

The Incredibly True Adventure of 2 Girls in Love (1995) begins with a wonderful bit of audience-deception. Two pairs of feet, one wearing high heel shoes, the other sneakers, fill the frame in close-up. The camera moves up, revealing shapely thighs intertwined with baggy jeans. The visual cues suggest a man and a woman in carnal embrace. When the camera reaches their faces... surprise! It's two women! In a gas station restroom no less!

This opening shot typifies the offbeat approach taken in writer/director Maria Maggenti's charming independent film which chronicles the love which blossoms between two lesbian teen-agers from opposite sides of the track. Laurel Holloman stars as Randy Dean. Randy wears her hair short, dresses like a tomboy, doodles amazon women in class, and plays the guitar. She lives happily, and unashamed, in the back of a gas station owned by her Aunt Rebecca and her girlfiend Vikki. "Just a normal, typical, regular, lesbo household," Randy tells the audience. The object of her affection is Evie, (Nicole Parker), a charming African American girl who attends the same high school. Evie is a very naive debutante who lives with her doting mother. She is confused for the first time about her sexuality and breaks up with her boyfriend. Randy is dirt poor, Evie has money. Sparks fly between the two girls despite their differences.

Randy loves Janis Joplin, Evie loves the opera, and they share their music with each other. Evie's gift of Walt Whitman's Leaves of Grass prompts Randy to appreciate literature for the first time. Meanwhile, homophobia and peer pressure interfere as Evie's friends tease her for hanging out with Randy. "She's a total pothead, number one," declares her best friend, "and she's a total diesel dyke, number two." Evie ignores them. In a very telling moment, Randy asks Evie to hold her hand in a diner. Later, they begin to kiss in Randy's backyard. Evie writes about it in her diary when she gets home while Randy reads Whitman's poems ("'I sing the body electric!' Wow!")

The Incredibly True Adventure of 2 Girls in Love succeeds on many levels. It is, first and foremost, a tender and believable story of young love that is lightyears ahead of the usual teen faire. Conflicts rise naturally from the script in ways which make it appear as if the audience is sneaking a peak at the protagonists' actual lives. The absence of any recognizable faces in the film helps to sustain this illusion. Many scenes are wonderfully comic because they run counter to audience expectations. (When is the last time you've seen a drunk man confront a teen-aged lesbian and order her to stay away from his wife in a movie?) The result is a sharp teen comedy with brains, a rarity in American cinema. The acting is terrific by all of the main leads. If Billy's Hollywood Screen Kiss is the ultimate date movie for gay males, The Incredibly True Adventure of 2 Girls in Love fills the same void for lesbians. Highly recommended.


Another fine lesbian serio-comedy is Marita Giovanni's Bar Girls (1994). While The Incredibly True Adventure of 2 Girls in Love oozes with charm, Bar Girls is a little more wicked. The script by playwright Laura Hoffman spins the tale of Loretta (Nancy Allison Wolfe), a young and insecure woman who is seeking a meaningful relationship. While hanging out in a lesbian bar, Loretta is smitten by Rachel (Liza D'Agostino) and they go home together.

Both women are rebounding from bad relationships and each wants to take it slow. After a few dates, however, they impulsively decide to move in together. Their relationship flourishes until they begin to "over-analyze" things like the true nature of love. ("Don't you love me all of the time?" "Well, most of the time...") Chaos erupts when a butch woman named J.R., an attractive police academy cadet, enters the bar and starts to hit on Rachel. Loretta's jealousy subsequently overwhelms their relationship.

Loretta works for a cartoon series on cable which features an apparently lesbian superhero, (named Myrtle!), who wears a cape and a vest and dabbles in marriage counseling. A lot of humor, secondary to the main plot, involves this feminist superhero and Loretta's arguments with both the producers - and her straight partner, Noah - over directions in which she wants to take the character. Noah at first objects to Loretta's desire to allow her superhero to have a period. He finally agrees but says that "PMS is out of the question - she could destroy the city."

Much of the action takes place in and around the bar. Musical beds proliferate as a series of Loretta and Rachel's ex-girlfriends parade into the bar and begin to date each other. Celia, the bartender, is always on hand to offer advice. A running joke is her habit or making "healthy" shots from wheatgrass in a food processer. The emphasis is on humor, both bitter and sweet. Issues of coming out are long past for these women and so writer Hoffman is able to concentrate on character development. The film also deals with homphobia in a few subtle ways. Loretta's idea to have Myrtle counsel a lesbian couple is shot down by the cable network, and her hatred of the police cadet J.R. goes beyond mere jealousy because she was once called a "dyke" by a cop when she was sitting in a car talking to a friend.

While not as polished as The Incredibly True Adventure of 2 Girls in Love, the matter-of-fact and unapologetic portrayal of lesbian life is very refreshing. Not all of the women are nice people, and this also adds to the realism. Seeing the usual Joe-macho swinger re-cast as a woman has a way of turning audience expectations on their collective heads. The initally awkward love which blossoms between Loretta and Rachel is also nicely handled, especially as outside pressures (various ex-girl friends, etc.) threathen to keep them apart.

Bar Girls is by no means a great film, but it's a very enjoyable one. It is, for the most part, nicely acted and photographed, and its script is filled with issues that are familiar to anyone who has been in a relationship. Bar Girls is much like many of the local productions we have seen and loved at BUA over the years. Even if the script isn't exactly Eugene O'Neill, it still speaks directly to its target audience and can be enjoyed unashamedly as such.


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